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Afrocosmologies: American Reflections at the Wadsworth
October 19, 2019–January 20, 2020
Hartford, Conn. (Sept. 23, 2019)—Afrocosmologies: American Reflections presents a window into a dynamic cosmos of influences that shape contemporary American art. This exhibition is a collaboration of the Wadsworth Atheneum Museum of Art, The Amistad Center for Art & Culture, and the Petrucci Family Foundation Collection of African-American Art. Drawing from over one hundred art objects, with the Petrucci Family Foundation contributing sixty-eight, these works of art span various media, present potent voices, and pose multiple questions. Afrocosmologies is an exhibition about presence, faith, authentic experiences, and representations of gender within a family of people born to many cosmological influences. With a predominant arc between the twentieth and twenty-first century, the exhibition brings together the work of an incredible assortment of artists including Romare Bearden, Dawoud Bey, Elizabeth Catlett, Willie Cole, Melvin Edwards, Titus Kaphar, Lois Mailou Jones, Kerry James Marshall, Alison Saar, Hale Woodruff, Shinique Smith, and Kehinde Wiley along with many additional artists of note.
Afrocosmologies examines successive generations of African American artists expressing their unique and evolving worldviews. Those cosmologies illustrate particular aspects of American history but are informed by African philosophical, ritual, and cultural systems that migrated here in memory. It’s human to look for order in the universe—to develop a cosmology or system of belief. Art reflects this search for understanding. From the late nineteenth century to now African American artists have explored spirituality and culture by telling stories and when finally allowed, creating imagery that validated their connections to cosmology. Religion (faith), myth, inherent humanity, non-traditional colors and patterns are all themes emerging from the rich aesthetic traditions of West African and other cultures. Afrocosmologies examines these works of art through four themes: Nature, Gods and Humanity, Ritual, and Origins.
“With such remarkable works of art to work with—seminal pieces collected over the past century by the Wadsworth, a dynamic and emerging spectrum of artists in the Petrucci collection, and The Amistad’s significant connection to history and New England—we wanted to attract the widest possible audience,” says Frank Mitchell, Executive Director of The Amistad Center for Art & Culture and curator of the exhibition. “The cosmology concept and its varying dynamism over time, provided a natural framework for exploring issues of faith and community that continue to define the field.”
To more accurately and effectively present the contributions of African American artists is to pave the way for corrective legitimacy and complete the canvas of American history. “When we took measure of history at the Wadsworth Atheneum and The Amistad Center by looking at the collections’ growth and the exhibitions organized over the past fifty years, we were reassured by our consistent commitment. Our evolving vision has led to necessary conversations and the emergence of consequential artists, right here at 600 Main Street,” says Thomas J. Loughman, Director and CEO of the Wadsworth. “In thePetrucci Family Foundation collection we saw that same excitement and daring that we prize at the Wadsworth. The Petrucci Foundation is a great partner in helping us and The Amistad bring this vivid history and culture into focus.”
“We are a collection that has its genesis in a deep appreciation of African American culture and are dedicated to acquiring works of art that speak to the resilient, creative, and persistent humanity within Black American culture,” says Petrucci Family Foundation curator and artist Berrisford Boothe. “Within the African American community and now across America at large, conceptions of race, gender, and community that once seemed fixed are now in flux or at least open for discussion. What was once a binary system of black or white aesthetics, now involves globally transplanted voices of color that exist within, are elevated by, and add authentic cosmological dynamism to American cultural conversations.” In this continuing conversation, there must be sensitivity, but also the recognition that America’s history and its impact cannot be eluded.
The Wadsworth is pleased to create a context for these ideas and for the creative output of African American artists to be explored through this exhibition’s themes. Enslaved Africans brought a deep cosmological appreciation of the natural world. It is a system that supported relationships with gods and ancestors. The land had to be worked as slaves, but the enslaved also lived through and worshipped in partnership with water and land. The land always has been the setting for nurturing new religious and syncretic practices. Nature: The World as We Experience It includes works by Bob Thompson, Martha Jackson Jarvis, Howardena Pindell, Richard Watson and others who take nature’s presence as inspiration to consider histories and imagine futures.
Gods and Humanity: Which Gods and Our Relationship to Them includes works by artists such as Palmer Hayden, Willie Cole, Didier William, Kenturah Davis, and Carl Joe Williams. Williams incorporates portraits of Black mystical figures as everyday saints. Religious tradition carried by many who endured the Middle Passage was conveyed through stories, songs, and movement. Christianity limited the scope of divinity but the familiar did not disappear as enslaved Africans developed syncretic forms of worship that combined elements of both traditions.
Worship sustained the captives and integrated diverse groups of Africans who through spirituality, became united in their commitment to freedom. Through works by Hale Woodruff, Richmond Barthé, Ralph Chessé, Addison Scurlock, and others, Ritual: Shared Worship Experiences looks at the new cosmologies, or ways of ordering the spiritual world, that affirmed new identities and communities in the Americas.
Origins: Preparation for the Journeys presents the vitality of Afrocosmologies through the art of Kerry James Marshall, John Biggers, Romare Bearden, Barbara Bullock, Sharif Bey, Ed Johnetta Miller, and others. Generations of African American artists and performers have struggled with ways to present the experience of slavery and Africa’s bearing. From Reconstruction Era artists, to the Harlem Renaissance, to the Black Arts Movement, and continuing today, there is a reassessment of history and celebration of Africa’s influence on contemporary culture.
Afrocosmologies will be on view October 19, 2019 through January 20, 2019. During the exhibition, six artists whose work is featured in the show will be participating in public programs at the Wadsworth. All are welcome.
Afrocosmologies: American Reflections will be accompanied by a 156-page, fully illustrated catalogue with essays by Frank Mitchell, Berrisford Boothe, Claudia Highbaugh, and Kristin Hass—to be released in October 2019.
October 12, Second Saturdays for Families: Community Connections, 1–4pm
A collaborative art-making experience with Maren Hassinger.
October 12, Encounters: The Black Church and Social Justice, 10am–1pm.
October 31, Performance by Adama Delphine Fawundu, 5pm reception and exhibition viewing, 6pm performance.
November 3, The Nat Reeves Experience, 3pm.
November 6, Artist Panel moderated by Kimberly Drew with artists Radcliffe Bailey, Shinique Smith, and Carl Joe Williams, 5pm reception, 6pm discussion.
November 9, Encounters: Afrocosmologies: American Reflections, 10am–1pm.
November 9, Second Saturdays for Families: Guiding Light, 10am–1pm.
November 15, Gallery Talk with Petrucci Family Foundation Collection curator Berrisford Boothe, noon.
November 21, Gallery Talk with artist Ed Johnetta Miller, noon.
December 20, Gallery Talk with Marisely Gonzalez, noon.
January 20, Martin Luther King Jr. Community Day, 10am–5pm.
Artist Ed Johnetta Miller leads a quilting activity for all ages.
An Afrocosmologies Film Series includes screenings of: Sprinter, Toni Morrison: The Pieces I Am, Reggae Boyz, To Sleep with Anger, If Beale Street Could Talk, and Soul Food.
Major support provided by Agnes and William R. Peelle Jr., The Edward C. and Ann T. Roberts Foundation, JPMorgan Chase & Co., and The Petrucci Family Foundation, with generous support from Hartford Healthcare. Sustaining support for the Wadsworth Atheneum provided by Newman’s Own Foundation and the Greater Hartford Arts Council’s United Arts Campaign.
About the Wadsworth Atheneum Museum of Art
Founded in 1842 with a vision for infusing art into the American experience, the Wadsworth Atheneum Museum of Art is home to a collection of nearly 50,000 works of art spanning 5,000 years and encompassing European art from antiquity through contemporary as well as American art from the 1600s to today. The Wadsworth Atheneum’s five connected buildings—representing architectural styles including Gothic Revival, modern International Style, and 1960s Brutalism—are located at 600 Main Street in Hartford, Conn. Hours: Wednesday–Friday: 11am–5pm; Saturday and Sunday:
10am–5pm. Admission: $5–15; discounts for members, students and seniors. Free admission for Hartford residents with Wadsworth Welcome registration. Free “happy hour” admission 4–5pm. Public phone: (860) 278-2670; website: thewadsworth.org.
About The Amistad Center for Art & Culture
Founded in 1987, The Amistad Center for Art & Culture is a not-for-profit cultural arts organization that owns a vital collection of 7,000 items including art, artifacts, and popular culture objects that document the experience, expressions, and history of people of African American heritage. The Amistad Center is housed at the Wadsworth Atheneum Museum of Art and is an independently incorporated 501(c)3 organization.
Inspired by its collection, The Amistad Center’s mission is to interpret and celebrate African American arts and humanities and to educate the public about their importance and influence in American life.
About the Petrucci Family Foundation Collection of African-American Art
Founded in 2006, The Petrucci Family Foundation’s (PFF) mission is to support education and create opportunity for Americans at every stage and station of life. The PFF Collection of African American Art is a targeted initiative to bring focus to the full range of African-American visual creativity and its essential place in the history and discourse of American art. As part of a growing and more thoughtful dialogue about the African American experience through art, the PFF Collection seeks to visually represent a cross-section of themes that speak not only to the African American community but also to the broader American community. Website: pffcollection.com.
Images (left to right): Carl Joe Williams, Waiting, 2016. Mixed media on mattress. Petrucci Family Foundation. © Carl Joe Williams; Bob Thompson, Garden of Music, 1960. Oil on canvas.
Wadsworth Atheneum Museum of Art. The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund. © Michael Rosenfeld Gallery, New York, NY; Romare Bearden, The Lamp,
1984. Lithograph. The Amistad Center for Art & Culture. © 2019 Romare Bearden Foundation /Licensed by VAGA at Artists Rights Society (ARS), NY.