Petrucci Family Foundation Collection of African American Art

Bringing focus to African-American art and its essential place in the history of American art.

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Mavis Pusey

1928-2019

Works in the Collection

Within Manhattan

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Untitled

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Untitled

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Untitled
c. 1970

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Sunset at Eight
c. 1970

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Silent Rocks
c.1970

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Shadows in the Fog
c. 1970

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Sensuous Movement of Seaweed and Rocks
c. 1970

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Ripeness in All
c. 1970

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Reflection
1965

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Exhibition Poster for Works on Paper
1980

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Paris Mai-Jun 68
1968

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Mood Between Seasons
c. 1965

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London’s Night

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Impact on Vibration
1968

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Frozen Vibration
1968

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Focus

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Exploring Path

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Eric

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Ebbtide
1965

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Dissolution of X
c. 1970

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Demolishment
c. 1970

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Decaying Construction
c. 1970

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Dawn

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The City Distracting Images
c. 1970

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Airport

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Untitled

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Sea View

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Recurring Memories
C. 1965

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Quiet Movement
1965

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Mobile Images
C. 1970

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Operation 7
1973

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Demonstration

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City View #7
C. 1970

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City
c. 1970

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Broken Construction at Noon
c. 1970

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Mavis Pusey, Decaying 7, Etching and aquatint, 1970. Gray scale abstract painting with mechanical forms.
Decaying 7
1970

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Biography

Mavis Pusey was born in Kingston, Jamaica in 1928 and grew up in the rural town of Retreat. She learned to sew at a very young age, and by 9 years old knew how to design and make her own clothes. She dreamed of studying fashion, and at 18 she moved to New York City to study at the Art Students League, paying her way through school by sewing wedding gowns. It wasn’t long before her passion shifted from fashion to the printmaking. She studied with Harry Sternberg and Will Barnet before her education took her to London, back to New York, and finally to Mary Baldwin College in Virginia where she earned her B.A. From 1969-1972, Pusey worked in Robert Blackburn’s Printmaking workshop and, in 1971, was included in the famous exhibition “Contemporary Black Artists in America” held at the Whitney.

Pusey exhibited around the country and taught at Pennsylvania Academy of Fine Arts, Drew University, and the New School for Social Research. Throughout her career, she won awards from numerous institutions including the Pollock Krasner Foundation and the Louis Comfort Tiffany Foundation. Her work can be found in many public and private collections including the Smithsonian National Museum of African American History & Culture in Washington, DC. and in the National Museum of Women in the Arts.

Here is a link to her New York Times obituary.

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