Petrucci Family Foundation Collection of African American Art

Bringing focus to African-American art and its essential place in the history of American art.

  • Browse
    • Browse Artworks
    • Browse Artists
    • Collection Slideshows
  • About
    • Mission Statement
    • Artwork Copyright
  • Exhibitions
    • Current Loans and Exhibitions
    • Past Exhibitions
    • Complete List of Loans & Testimonials
  • Educational Resources
    • Publications
    • Videos
      • Shuga & Wata
  • News
    • Collection Updates
    • Press
  • Contact
  • Create an Exhibition
  • Log In

Henry W. Bannarn

1910–1965

Works in the Collection

Rowhouses, Charleston, S.C.
c. 1943

Add to Your List

View Your List

Biography

Henry Wilmer “Mike” Bannarn was born in Wetumpka, OK in 1910. Bannarn moved with his family to Minneapolis when he was a child. There Bannarn studied at the Minneapolis School of Art (now the Minneapolis College of Art and Design). He won two first-place prizes in sculpture at the Minnesota State Art Fair and showed at the Harmon Foundation in New York in 1933. With a grant from the Minneapolis philanthropist James Ford Bell, Bannarn moved to New York in 1934. There, Bannarn was a W.P.A. artist for the Federal Art Project. Through the W.P.A. Bannarn became friends with Charles Alston. Together, they rented a studio that became the Harlem Workshop or the “306,” a creative center and meeting place for artists, musicians, and poets. Bannarn also taught at the Harlem Community Art Center, where he worked alongside Norman Lewis, Charles Alston, and became a mentor to Jacob Lawrence. During his time in New York, Bannarn was considered one of the preeminent artists of the Harlem Renaissance.

Around 1940, Bannarn was inducted by the U.S. Army. During his time in service, he created a series of paintings in the Army’s Special Services Division. In Camp Plauche, Harahan, Louisiana, he created a series of murals depicting soldiers on furlough in various theaters of operation. Later at the Charleston Port of Embarkation, South Carolina, he completed murals depicting American soldiers on leave around the world, recruitment and war bond posters, and painted some of the first service and support images to depict African American soldiers as fighting men. In 1949, Bannarn returned to his studio practice in New York. While Bannarn is primarily recognized for his sculptures, was equally skilled as a figurist and character artist in various paint mediums, Conté crayon, pastel, free-form sketch, etc. Bannarn died in Brooklyn, NY in 1965.

© Copyright 2023 Petrucci Family Foundation | Artwork Copyright Information

Join The Petrucci Family Foundation Collection of African American Art


Login to The Petrucci Family Foundation Collection of African American Art


Lost Password?

Reset Password

Enter the username or e-mail you used in your profile. A password reset link will be sent to you by email.



Loading...

Don't have an account? Sign Up Already have an account? Login