1978-Present
Works in the Collection
Biography
Born in 1978 in Port Au Prince, Haiti, Fabiola’s groundbreaking work has earned her recognition in esteemed publications such as the New York Times, Architectural Digest, Vogue, and more. Jean-Louis meticulously crafts intricate garments from paper, photographing them in staged studio portraits that challenge conventional narratives surrounding the representation of Black women throughout history. These works prompt reflections on identity, history, and the human experience.
Among her notable creations is the mesmerizing paper dress sculpture, “Justice of Ezili,” showcased at the Metropolitan Museum until 2023, a testament to her ability to merge artistry with social commentary. Fabiola’s artistic journey began to take shape during her time at the High School of Fashion Industries, where her passion for the arts flourished. Initially capturing self-portraits as a means of self-expression, she soon expanded her repertoire to include a diverse array of subjects and costumes and sculptures crafted entirely from paper. Today, Fabiola’s practice is marked by experimentation as she explores various techniques, disciplines, and artistic styles. Her fascination with Afro-futurism, science fiction, and historical narratives invites viewers to contemplate themes of identity, tradition, and mythology.